
I was born in Mendoza, Argentina, in 1992. At the age of 20, I moved to Buenos Aires to study Dance Performance and Choreographic Composition at the Universidad Nacional de las Artes. In 2016, I joined the university’s dance company under the direction of Roxana Grinstein, where I had the opportunity to work with renowned choreographers such as Gustavo Lesgart, Pablo Rotemberg, Josefina Gorostiza, Ayelén Clavín, Gerardo Litvak, Ramiro Soñez, Carla Rímola, Laura Figueiras, Federico Fontán, and Ramiro Cortez, among others.​​ In 2019, I relocated to Brussels to continue my artistic career, where I have since collaborated with choreographers such as Agostina D’Alessandro, Marcos Arriola, Marit Shirin, Elena Gambardella, Lola Vera, Julia Farber, and Juani Rossi.​
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In recent years, my training has focused on improvisation and instant composition, studying with teachers such as Agostina D'Alessandro, David Zambrano, Rob Hayden, Julyen Hamilton, Edivaldo Ernesto, Vittoria de Ferrari, Jos Baker, Rakesh Sukesh and Fatou Traore, among others.​​ I also have a background in urban dance, particularly in street jazz and heels. I’ve participated in workshops with leading figures in each style, including Yanis Marshall, Malou Linders, Danielle Polanco, and Pedro Reis.​
My artistic practice unfolds as artivism, guided by the desire to revalue other narratives, ways of making and understanding the world, and to revitalize silenced cosmovisions, bringing them into circulation as a gesture toward the decentralization and decolonization of artistic practice. I draw inspiration from popular expressions, rituals, and folk dances, approaching them as living archives of memory and resistance, places where individual and collective stories meet and transform.
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Beyond dance, I hold a degree in Social Communication (UNCuyo), a Specialization in the Production of Critical and Media Texts for Art (UNA), and I completed a postgraduate seminar in Decolonial Aesthetics from the South: Art, Body, and Memory (CLACSO), as well as other courses in cultural project management, production, and communication (CCR).​
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Alongside my artistic practice, I have contributed to several projects that provide learning opportunities, support, and mobility for artists, through roles in cultural coordination, communication, writing, and photography, including Próximamente Festival, the book Mundo de Bailarines, Les Sudakas Project, Summer Dance Camp, Travel & Dance, Nómade Dance Camp, and NY for Dancers.​
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I’m also a certified Pilates instructor specializing in prenatal and postnatal care. In 2020 I became a Doula, and I hold a Master Degree in Holistic Therapies. As a hobby, I enjoy singing lessons, writing poetry, and experimenting with photography.
paz moreno
dance artist